Skip to content

About
- About the Atelier
- Tour the Studio
News
FAQ
Contact

Courses
Membership
Mentorship and Feedback
- Art Coaching and Support
- Private Lessons
Login
Shop
0

Search for:

Courses
Membership
Mentorship and Feedback
- Art Coaching and Support
- Private Lessons
Login
Shop
0

About
- About the Atelier
- Tour the Studio
News
FAQ
Contact

Cart

Home » Cart

Your cart is currently empty.

Contact

Location:Newfoundland, Canada
Email:contact@nicolesleethatelier.comOpens in your application
Paintingsnicolesleeth.com

Instagram

nicolesleeth

Astral Plane is an ongoing series of paintings tha

Astral Plane is an ongoing series of paintings that use the concept of floating and weightlessness to explore themes of aimlessness, connection, and seeking an anchor in the unknown. I return to these imaginary spaces during times of transition, uncertainty, and doubt, as a way to move forward and gain clarity.

NOCTURNE (detail)
2019
oil on linen
203.2 X 101.6 cm / 80 X 40 in

Filling that void can be near impossible. Loss, gr

Filling that void can be near impossible. Loss, grief, regret, bitterness, and longing are the counterweights to idyllic depictions of untroubled life, keeping them from becoming saccharine and forgettable.

MOVEMENT NO. 1
2018
oil on linen
185.4 X 104.1 cm / 73 X 41 in

Desire cannot exist without a lack. The direct tra

Desire cannot exist without a lack. The direct translation for “tu me manques” - French for “I miss you” - is actually “you are missing from me”. The difference is quite profound. It speaks to a lack, a void, a feeling of being incomplete and unresolved.

VOYAGE (detail)
2021
oil on linen
213.4 X 221 cm / 84 X 87 in (diptych)

Descriptors of age, muscle mass, where fat accumul

Descriptors of age, muscle mass, where fat accumulates and the amount of it, have no judgment, only observation. Supplanting desire and appraisal with curiosity and respect leads to more meaningful relationships, and indeed more interesting art.

EMBRACE (detail)
2018
oil on linen
167.6 X 106.7 cm / 66 X 42 in

The real figure, and the idealized figure. Why suc

The real figure, and the idealized figure. Why such a gulf between them? A course on artistic anatomy, taken when I was 16, showed me that there exists a world where bodies can simply be neutral.

SHIFT
2018
oil on linen
162.6 X 88.9 cm / 64 X 35 in
Pictured on display at the @wausau_moca in 2019

Perhaps a lack of clarity can be a source of comfo

Perhaps a lack of clarity can be a source of comfort. Fog is only a nuisance if one needs to travel; it provides a beautiful blanket of privacy if one is content to stay still.

VOYAGE (detail)
2021
oil on linen
213.4 X 221 cm / 84 X 87 in (diptych)

Follow on Instagram

YouTube

Nicole Sleeth

Welcome to this full-length, start to finish oil painting demonstration! In this demo, you'll see the process of painting a figure on 12" x 9" gesso and oil primed watercolour paper. The first hour and fifteen minutes are narrated, and last ~20 minutes are without narration.

This is a loosely structured, mostly unscripted narration, where you'll hear about the materials and technique, the concept and philosophy, my approach to this subject matter, and more.

The wonderful model for this painting is artist Mel Calabria (https://www.instagram.com/melcalabria/), whom I met while on residence at the Pouch Cove Foundation (https://www.pouchcove.org/). She is an incredible figurative oil painter - be sure to take a look at her work.

I also referenced Adrienne Stein in this video - here is her website: https://www.adriennestein.com/

If you enjoy painting demonstrations like this, visit my online atelier nicolesleethatelier.com, where there are more videos like this, including structured courses, videos on studio skills such as priming and varnishing, and more. I also offer coaching/mentorship if you're looking for feedback, support, and guidance (https://nicolesleethatelier.com/register/art-coaching-and-support/).

I'm happy to answer any questions in the comments.

Enjoy!!

Paint colours used:
Gamblin Titanium White
Williamsburg Permanent Crimson
Williamsburg Quinacridone Red
Gamblin Cadmium Red Light
Gamblin Cadmium Lemon
Gamblin Cadmium Orange
Winsor & Newton Green Gold
Winsor & Newton Sap Green
Winsor & Newton Cadmium Green Pale
Williamsburg Ultramarine Blue
Winsor & Newton Purple Lake
Kama Fluorescent Orange

Timestamps:
00:00 Materials and preparation (primer, brushes)
10:00 Colour/palette selection + mediums
18:09 First pass/alla prima approach
20:29 Comments on photo reference
22:36 Painting the background/choices about detail and colour
26:03 Play in painting
29:08 Beginning the figure/primary vs. secondary colours
33:58 Light temperature/shadow colours
39:19 Trusting your colour mixtures
45:47 On accuracy and style
48:34 Technique vs concept
51:43 Talking about my recent paintings
01:03:19 Working with studies
01:08:43 Unanswered questions explored in paintings
01:12:51 Art coaching and support
01:15:10 Narration ends

✦ For more painting and drawing lessons, explore the Atelier: https://nicolesleethatelier.com

✦ My paintings: https://nicolesleeth.com

✦ Shop: https://nicolesleeth.com/shop

✦ Follow Me:

Instagram (paintings): http://instagram.com/nicolesleeth
Instagram (teaching): http://instagram.com/nicolesleethatelier
Facebook: http://facebook.com/NicoleSleethFineArt

Narrated oil painting demonstration | Real-time start to finish figure painting with cozy chat

YouTube Video UCwfz7pMXFFr_lOiJeQHU8iw_Ph3VVRDGAtw

Did you know that there are different kinds of pigments in oil paint? Learning about the difference between organic and inorganic pigments can help you decide which colours are best for your goals, and help further your understanding of why certain paint colours behave the way they do.

This video is an excerpt from my 6-part self-paced course, All About Colour. Learn more and register here: https://nicolesleethatelier.com/register/all-about-colour/

✦ For more painting and drawing lessons, explore the Atelier: https://nicolesleethatelier.com

✦ My paintings: https://nicolesleeth.com

✦ Shop: https://nicolesleeth.com/shop

✦ Follow Me:

Instagram (paintings): http://instagram.com/nicolesleeth
Instagram (teaching): http://instagram.com/nicolesleethatelier
Facebook: http://facebook.com/NicoleSleethFineArt

Organic vs Inorganic Pigments

YouTube Video UCwfz7pMXFFr_lOiJeQHU8iw_RmqLWha98wE

When painting detail, it helps to have a steady hand, but sometimes we need a little help. Here are a few tips for keeping your hand steady while painting.

Also, it is possible to gain more dexterity and steadiness with practice! Fine motor skills are not (always) something we are born with, but a skill that can be improved with conscious effort to steady your hand while painting, barring impediments from physical or medical conditions of course.

This video is an excerpt from my "Painting in Colour For Beginners" course, a 7-part self-paced course intended for oil painters who have never painted in colour before, or want to learn a more structured approach. For more information or to register, click here: https://nicolesleethatelier.com/register/painting-in-colour-for-beginners/

✦ For more painting and drawing lessons, explore the Atelier: https://nicolesleethatelier.com

✦ My paintings: https://nicolesleeth.com

✦ Shop: https://nicolesleeth.com/shop

✦ Follow Me:

Instagram (paintings): http://instagram.com/nicolesleeth
Instagram (teaching): http://instagram.com/nicolesleethatelier
Facebook: http://facebook.com/NicoleSleethFineArt

Tips for keeping your hand steady while painting

YouTube Video UCwfz7pMXFFr_lOiJeQHU8iw_C9vKnCjBWTo

Please enjoy this look at the progression of an oil painting portrait from drawing to finished painting!

These clips are all from my 8-part self-paced course From the Ground Up: A Process-Based Approach to Painting, a comprehensive course that puts the focus on how you are painting, rather than what you are painting.

To learn more and sign up, visit https://nicolesleethatelier.com/register/ftgu/

How to fix/seal your charcoal drawing to canvas:
https://www.youtube.com/watch?v=gu3Ydv5NcRo&t=32s

✦ For more painting and drawing lessons, explore the Atelier: https://nicolesleethatelier.com

✦ My paintings: https://nicolesleeth.com

✦ Shop: https://nicolesleeth.com/shop

✦ Follow Me:

Instagram (paintings): http://instagram.com/nicolesleeth
Instagram (teaching): http://instagram.com/nicolesleethatelier
Facebook: http://facebook.com/NicoleSleethFineArt

From Drawing to Painting: A Portrait in 6 Stages

YouTube Video UCwfz7pMXFFr_lOiJeQHU8iw__FuPsGRXwNI

If you've struggled to mix a colour accurately, or understand the difference between hue, value, chroma, and colour temperature, this guide is for you. Step by step, you'll see how to mix a colour for a near-perfect match.

This lesson is part of the "Paint as Flesh: Secrets to Painting the Illusion of Skin" self-paced course. In this 7-part intensive course, learn the essential techniques and secrets to create beautiful figurative paintings. This course focuses on using photo references. Topics range from colour theory, brushwork, colour temperature relationships, and more – all of which will make your figurative paintings more believable and satisfying.

For more information, please visit https://nicolesleethatelier.com/register/skin/

✦ For more painting and drawing lessons, explore the Atelier: https://nicolesleethatelier.com

✦ My paintings: https://nicolesleeth.com

✦ Shop: https://nicolesleeth.com/shop

✦ Follow Me:

Instagram (paintings): http://instagram.com/nicolesleeth
Instagram (teaching): http://instagram.com/nicolesleethatelier
Facebook: http://facebook.com/NicoleSleethFineArt

A Guide to Matching Colour in Oil Paint

YouTube Video UCwfz7pMXFFr_lOiJeQHU8iw_NE2LEWCzpSk

Welcome to painting "Replenish"! I've been working on small studies a lot lately, and wanted to share some of that process, along with the benefits of working with studies.

In the full video, available at https://nicolesleethatelier.com/courses/painting-replenish/, I share my perspective on the value of studies, different mindsets to help you find your artistic voice, and my personal journey at this point in time. Kick back for virtual “studio visit” with this relaxed discussion on an experimental approach to painting.

For more information about mentorship and coaching, please visit https://nicolesleethatelier.com/register/art-coaching-and-support/

✦ For more painting and drawing lessons, explore the Atelier: https://nicolesleethatelier.com

✦ My paintings: https://nicolesleeth.com

✦ Shop: https://nicolesleeth.com/shop

✦ Follow Me:

Instagram (paintings): http://instagram.com/nicolesleeth
Instagram (teaching): http://instagram.com/nicolesleethatelier
Facebook: http://facebook.com/NicoleSleethFineArt

Painting an oil study - the value of learning from studies

YouTube Video UCwfz7pMXFFr_lOiJeQHU8iw_LUuDGhBXHac

I'm in a temporary studio for a few months, without my easel, and needed a wall to staples my canvases onto in order to paint. Here's a look at my current setup, with an explanation of how the wall is constructed, and things I would do differently next time.

I thought this might be helpful for any other artists who are in a similar situation, or are looking to build a painting wall in their studio. It was probably about $200 of supplies, and took a day to build once I figured out the general plan and put together the materials list.

If you have any questions let me know in the comments!

✦ For more painting and drawing lessons, explore the Atelier: https://nicolesleethatelier.com

✦ My paintings: https://nicolesleeth.com

✦ Shop: https://nicolesleeth.com/shop

✦ Follow Me:

Instagram (paintings): http://instagram.com/nicolesleeth
Instagram (teaching): http://instagram.com/nicolesleethatelier
Facebook: http://facebook.com/NicoleSleethFineArt

Built a wall in my studio to use instead of an easel

YouTube Video UCwfz7pMXFFr_lOiJeQHU8iw_k9tPZTeIB9I

I often use a high chroma underpainting in my work, enjoying the "energy" it gives the painting. Learn about why to use a vibrant colour for your underpainting/imprimatura, and how to navigate some of the challenges it presents.

If you have any questions please leave them in the comments. Enjoy!

✦ For more painting and drawing lessons, explore the Atelier: https://nicolesleethatelier.com

✦ My paintings: https://nicolesleeth.com

✦ Shop: https://nicolesleeth.com/shop

✦ Follow Me:

Instagram: http://instagram.com/nicolesleeth
Facebook: http://facebook.com/NicoleSleethFineArt

Using vibrant underpaintings in oil paint

YouTube Video UCwfz7pMXFFr_lOiJeQHU8iw_SJ4mrUDrB98

In this demo, you'll see the first and second pass on the eyes and nose of "Nova", a 65" x 45" oil painting. During the video, I talk about the difference between the first and second pass (and my approach to both), as well as how to create a sense of form by interrupting the contour.

If you enjoy this demo, the entire painting process (7 hours and 48 minutes of video!) is available here: https://nicolesleethatelier.com/register/painting-nova/

Colours used:
Gamblin Titanium White
Gamblin Transparent Earth Red
Williamsburg Permanent Crimson
Gamblin Cadmium Red Light
Gamblin Raw Sienna
Gamblin Cadmium Lemon
Gamblin Phthalo Green
Williamsburg Ultramarine Blue

In the second pass section, there are a few small clips missing, meaning you'll see changes to the painting without my actually painting them. Sorry about this! I don't have access to my original footage at the moment so I can't fix it right now but I hope it isn't too disruptive.

If you have any questions please leave them in the comments. Enjoy!

✦ For more painting and drawing lessons, explore the Atelier: https://nicolesleethatelier.com

✦ My paintings: https://nicolesleeth.com

✦ Shop: https://nicolesleeth.com/shop

✦ Follow Me:

Instagram: http://instagram.com/nicolesleeth
Facebook: http://facebook.com/NicoleSleethFineArt

Oil painting demo - first/second pass and creating a sense of form

YouTube Video UCwfz7pMXFFr_lOiJeQHU8iw_qCfiuleYA9M

Subscribe

Newsletter

Receive notice of new videos, special events, and news.

Email is required. Email not valid.

I am human This field is required

Thanks for your subscription.

Failed to subscribe, please contact admin.

About
Contact
FAQ
Terms of Service

© Copyright Nicole Sleeth

×

Cart