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Location:Victoria, BC, Canada
Email:contact@nicolesleethatelier.comOpens in your application
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nicolesleeth

My first available print, Nocturne, is a limited e

My first available print, Nocturne, is a limited edition of 20. The original 80”x40” painting was a satisfying venture into more imaginative work. The idea of a floating figure, with the contrast of idealized, abstract environments and “real” figures - already divine in their natural state - is something I’ve been interested in for a long time and have begun to explore.

This is a beautiful 24”x12” giclée print on acid-free 100% cotton rag 330 gsm paper.

Ships anywhere; available through my shop (link in bio or nicolesleeth.com/shop)

In the “Gaze” series, the models were active p

In the “Gaze” series, the models were active participants in choosing their own poses. We would have a collaborative photo shoot where I would try to discover what body positions made them feel most grounded and put forth their most solid energy. Sometimes a model would come up with a pose - even just for a quick casual moment - that I never would have thought of or suggested, and couldn’t resist painting.

Valerie II, oil on linen, 80”x37”

Colour studies help me plan and visualize a larger

Colour studies help me plan and visualize a larger painting. It’s much easier to make changes, or realize something isn’t working, when it’s on a smaller scale.

20”x20” colour study for my 87”x84” diptych, in preparation for my residency at @pouchcove_org in Newfoundland for the month of October.

Who else thinks varnishing is an extremely satisfy

Who else thinks varnishing is an extremely satisfying process?

The full 10 minute video is available for members at nicolesleethatelier.com

Nova, 65”x45”, oil on linen

Working on the first pass of The Remedy. Those ski

Working on the first pass of The Remedy. Those skin tones looked so strange against the red oxide underpainting.

📷: @byron_cameraman

The Remedy is the largest painting I’ve complete

The Remedy is the largest painting I’ve completed. After painting solo figures for some time, I wanted to try a multi-figure composition. Inspired by works of Falero, Klimt, Whistler, Blackwood, and others, I wanted to create this world where the figures float peacefully, at ease with themselves but also enjoying the connection with others. One of them invites us in. We too could enjoy this state of being, if we leave our judgements behind.

The Remedy (ft. Poppy), oil on linen, 60”x90” diptych. Swipe for details.

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